Campbellsville University is definitely doing something right!
Introduction
Hello Musical Theatre enthusiasts! This being my first article, I would like to include some background on why I decided to become a Musical Theatre Critic. It all started with a production of Little Women in Campbellsville, Kentucky. The production was absolutely inspiring - but more on that later! After the show, I left the theatre thinking, I wish there was a way to give back, to fully express the gratitude an audience has for a great show. And then I thought, "well why not!"
Why not do just that? Why not take the opportunity to express to the cast and crew, and to the public, the joy of sharing in a community that has so much to offer in the way of wonderful theatres, wonderful companies, and wonderful shows! The posts on this page are my personal opinions, and although I may bring out a few constructive points in each article, my overarching purpose is to appreciate the cast and crew for the many things that their specific show has to offer the audience.
So on this note, readers, read on! May the reviews bring happiness to performers, crew, and show-goers alike!
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The Production
Little Women the Musical
Put on by Town Hall Productions and Campbellsville University at the Russ Mobley Theatre
Dates: Oct 13-16, 2016
That Quintessential Thing
In a word, what makes Town Hall and Campbellsville University's production of Little Women
special is the authenticity.
The phenomenal acting and the strength of the relationships forged throughout this depiction draw the audience in - from the comical interactions between sisters, to the tragedy and hardship that ensues. To watch this production is to become part of it. You feel Marmee's longing (Sarah Durham). You share in Jo's anguish (Hollie Nall). You participate in Beth's peace (Diandra Sallee). And you cheer for Professor Bhaer (Irell Patterson).
In tackling a production of Little Women, it can be tempting to focus on the relationship between Jo and Laurie (Tanner Reed), to the point where the audience is disappointed when they don't end up together. It was refreshing to find that this was not the case. Tanner Reed's depiction of Laurie was so light, bubbly, and fun-loving, that it made much more sense that he would end up with Amy: the willful yet compassionate and charming March sister, as depicted by Malorie Byrne.
I tip my hat to director Starr Garrett for her evident work in spending time developing Laurie and Jo's other relationships. Professor Bhaer was so witty and likeable, one would have protested had he not ended up with Jo. Although I have seen this production a few times before, this particular dynamic between Jo and Bhaer was my favorite.
I Applaud Thee!
One of the inherent challenges in this production is the difficult vocal score. From the broad ranges that are demanded of the cast members, to challenging harmonies and counterpoints, the score was handled very well by Music Director Bethany Stiles and cast alike. Some especially touching moments were Marmee's "Here Alone" (Well done on those low notes Sarah Durham!), "Some Things Were Meant To Be" (Beautiful vocals by Diandra Sallee and Hollie Nall), and "More Than I Am" (Matthew Hutchins as John Brooke and Blair Lamb as Meg make harmonizing with the opposite sex sound easy!)
Although it is apparent that Tanner Reed as Laurie is not accustomed to large singing roles, he was able to master the art of "speak-singing" quite well. There were a few off-tune moments, but the character's care-free boyish charm makes room for these blunders.
Although I would have positive things to say about every cast member right down to the comical stars of Jo's imagination (Anna Peterson, Noah Hutchins, Sarah Fanning, Edwin Ford Jr,. Kaya Taylor, and CJ Calhoun), let's spend some time on our leading lady! Hollie Nall's depiction of Jo March was exquisite. In her we truly find a character who is a living, breathing, three-dimensional bleeding heart. Her passion, fire, and vulnerability are so commanding that you can't take your eyes off of her from the moment she enters the stage. Vocally, there were a few moments where I felt that her chest belt was too hard, but for the most part she used her head voice and chest voice very well, especially considering the large vocal range and spectrum of emotions she had to tackle in this role.
Quick Shout Outs
To the woman we love to hate: Oh Aunt March (Kaitlyn Wallace). You were simply marvelous. I'm so glad you're not my Aunt.
Mr. Laurence (Cody Campbell): Your flip-the-switch change of heart moment was priceless. You showed us that the joy of music can transform even a grumpy old man.
Paige Pickerl - Your Mrs. Kirk was expertly delivered. Not overstated or understated, but the very definition of a supporting role. Well done.
Creative Problem Solving
With every production comes its list of inherent challenges. Some of these may include licensing limitations, casting challenges, unusual production needs, and accommodating a unique theatre space. This is a tale of the latter. One of the major issues that Technical Director Jeni Benavides faced when designing the set for Little Women was how to approach the attic. The design of the Russ Mobley Theater includes balcony seating which just so happens to have limited viewing of anything that is elevated behind the proscenium. Mrs. Benavides faced the question, "How do I create an elevated attic space for Jo that allows the balcony audience full viewing in these scenes?" She solved this problem by only slightly elevating the attic. This gave the impression of the private space for Jo's thoughts, while keeping the stage open and uncluttered. I very much liked this design and I suspect that the audience members in the balcony did too! While I am not opposed to large and fancy sets at all, I would have found one cumbersome in this setting. I found that it was much more prudent to allow for easy access and simple set changes by creating a minimalist set which echoed the simplicity and honesty of the story.
A Grain of Salt
I am a sucker for a well-timed curtain close. I would have loved to see the curtain close for the beach scene, hiding the set and allowing us a more private moment with Jo and Beth.
The music levels were a bit low at times. Although I must say that I greatly appreciated the music not drowning out the singers, I would have applauded a level raise for dance breaks and scene changes.
See The Show!
In the future, this section will include details on how you can get tickets to the show I just reviewed. Unfortunately, my idea to review this show came too late for me to help you in this endeavor- the show has already closed. However, for future productions at Campbellsville University, here's the info:
270-789-5266
campbellsville.edu/theater
Photo Credit
Renee Dobson
